Everyone: Learn your lines. Men (if you are playing a man) -- white shirts, necktie, dark pants (not jeans), dress shoes (black and not runners).
DICTION: Don't try to talk too fast and really think about communicating to the audience (cheat to them! do not turn your back on them), especially if you are wearing a mask.
PROJECT: Even if you're telling a secret.
Carolyn: when you say you might be "mad", that could be scary; that's why you say you're harmless (it means "don't worry")
Props: We need a ticket for Jenny to give Claire.
The Sneeze: Keep it moving -- tighten it up. The long silences kill the comedy.
Alicia: overact and strike a dramatic pose.
Good variety in pitch, Jenny, but more whiny on "I just wanted to apologize"
Rudy: Your last speech sounded like you were reading out loud. It didn't sound like you were actually mad.
Governess:
Like the sidle, Angela. Don't drop your voices. Practice the centre-stage "hug". It looks a bit messy.
Surgery:
"open your mouth so I can examine you" -- get closer to him
Get closer when you blow on the tooth. Check your lines. Both hands on face, Ethan, for masking. We need a profile!
Too Late:
Keep projecting (timepiece, Mia)
Pause between verse and regular conversation.
Seduction:
"women" -- pronounced "wimmen"
Franc: this week -- emphasize (this is a joke)
Spouse is pronounced SPOWSS.
Cheat to us, Franc, and don't drop your voice
We need a pocket watch for Francesco. Anyone?
Samantha -- LOATHSOME (emphasize this)
Peter: WITH PASSION -- Good night, my love.
Samantha: When husband says Peter's mind is on "some woman", perk up. Is it you? or someone else?and panic as you realize you're falling in love with Peter.
SWEET POISON
I/we -- don't look at husband at all. It's too risky. He might figure out your secret.
What time? she's plotting.
Samantha -- enter on "gentleman"
End of scene should be centre-stage.
Drowned Man:
Yuan: SALT WATER/TOWELS
face us as much as possible -- don't look at Tourist
Never drop your voice. Dyownne -- call the cabbie at stage right stairs.
Audition:
Alicia: Turn to us as much as possible. You need to find a real laugh on the stuff about the story that made you laugh. Remember, you are desperate that Director like you. DESPERATE!!
Big speech: Alicia, find the light. Lift up your face. Inspire the audience. This is one of Chekhov's great plays.
Defenseless:
Ella: sister (diction)
Lavon - slow down, crisp diction. We need to understand the words. BANK
Let's not mime the door, because we're not doing it anywhere else.
hold your heart, Lavon -- "I'm getting excited"
Don't disappear behind the desk, Ella.
women is pronounced "wimmen".
Arrangement:
Mad -- really threaten punishment.
Jet -- buckle before she says "his knees are buckling"
Find your light. DON'T MAKE WENDY FACE UPSTAGE. Wendy, don't let them make you face upstage -- pretend you're watching the people walk by on the street, if they go upstage of you.
Use the door when you exit.
COME TO REHEARSALS. WE HAVE ONE WEEK LEFT.