THEATRE HISTORY
PROJECT – THEATRE PRODUCTION 11/12
It is important for a theatre producer to be aware of
theatrical styles from the past and from other cultures. It provides the theatre artist a palette from
which he or she can draw when creating the mis
en scene for any production and helps communicate a variety of unspoken
messages to one’s audience.
Here are a few types of theatre you might be interested in
investigating:
Greek theatre
- the origin of Western theatre
Kabuki theatre –
classical Japanese dance-drama
Noh theatre – the
oldest existing form of theatre – Japanese musical theatre
Shakespeare’s theatre
– no explanation needed here!
Shadow puppetry –
Pekingese or Cantonese or Wayang kulit
(Indonesian)
Comedia del’Arte
– Italian improvisational comedy of the Renaissance
Expressionism – a
highly metaphorical form of theatre popular in the 1920’s (such playwrights as
Eugene O’Neill and Elmer Rice)
First Nations theatre
- from “before contact” to the
present day
Naturalism – the
attempt to create “reality” on stage, most popular in the late 19th
and early 20th century (playwrights like Ibsen, Checkov, George
Bernard Shaw)
Poetic realism –
popular in the 20th century (and to this day), it is theatre that
appears to be realistic, but that makes extensive use of poetic imagery
(Tennessee Williams, Arthur Miller, Sam Shepard, Lilian Hellman)
If you are interested in another form of theatre, let me
know.
What am I supposed to
do?
1.Choose a type of
theatre that interests you. Find out all
about it. (Become an expert.) Be ready to share at least ten “fun facts”
about the form of theatre you chose.
(For example, that in Shakespeare’s theatre, no women were allowed to
act, so all those great roles for women – like Cleopatra, Lady Macbeth, Titania,
and Viola were played by teenage boys! . . . or in Greek theatre, all the
actors wore masks which helped amplify their voices for the huge crowds that
came out to watch.)
/10
2. Create a model of
the type of stage this theatre would use.
(A shoebox is a great start for something like this.) The model should be a three dimensional
picture of the type of stage on which performances would be presented. )
/20
3. Create a
representation of one actor dressed in a costume that would be used in your
theatre style. (You can create a life-sized costume {which would be great!} or
you can dress a cardboard or plastic doll.
Feel free to use costumes or fabric that we already have in the drama
room.)
/10
For #2 and #3, you
should be prepared to explain what your represenations show us. You will want to label your model clearly.
4. Find a
play/playwright that makes use of your type of theatre. (If it’s Shakespearean, you already know lots
of plays that fit this description and you know the author – that’s why
Shakespeare is so phenomenal – his name identified a whole genre! If you choose a more traditional period, it
might be harder to find an actual script or playwright, in which case, you can
find out a plot or actor or even a modern play which exemplifies qualities of
the theatrical style you choose, for example – Tomson Highway is a modern
Canadian playwright who uses lots of First People’s imagery in his plays). Find a passage from the play that tells us
something about that style of theatre and explain why you chose it. You can write this down, but be prepared to
share it with the class.
/5
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